
for you – by neslihan öncel
"Sentí un grito infinito que atravesaba la naturaleza"
The Minotaur and the Black Dahlia

Crematorio de perros abandonados, exterminados por la Perrera Municipal de Santiago, 1965. Colección Zig-Zag
Anthrax performing Pantera’s “This Love” and intro of Slayer’s “Raining Blood” with Phil Anselmo and Rex Brown at REVOLVER Golden Gods Awards 2013.
Las cinco escuelas de Arquitectura de la ciudad de Concepción, entre las que se incluye nuestra Facultad de Arquitectura Diseño y Construcción UDLA, junto a la delegación local del Colegio de Arquitectos de Chile, suscriben la…

Camille Monet and a Child in the Artist’s Garden in Argenteuil, 1875, by Claude Monet
Camille, Monet’s first wife, is shown with a child in the garden of their house in Argenteuil, near Paris, where they lived between 1872 and 1877. Today, Claude Monet is primarily known as a landscape painter, but in the beginning of his artistic career, he used to concentrate on portraits. No one else appears in Monet’s paintings as often as Camille. In those year, portraits of women were mostly ordered by bourgeois clients, but among progressive painters, the artistic structure became more important than the identity of the portrayed person. The masterly style, the lack of details, and the plainness of the colors led to a completely new directness of expression, independent of the facial gestures of the depicted person. In this picture, the shimmering reds, blues, greens, and white that capture the brilliance of a sun-drenched day are applied with many small brushstrokes, whose varied shapes create the different textures of flowers, grass, and clothing. Meanwhile, the features of the woman are completely indistinct.
Giving back through FMX – Red Bull X-Fighters Jams 2013 Talcahuano
Dos horas y media de ópera y música con la batuta de Valery Gergiev, y las voces de Plácido Domingo, la soprano Anna Netrebko y muchas estrellas más.
Espectacular Gala de Inauguracion del nuevo Teatro Mariinsky en Rusia
Patricia Petibon – “Nel grave tormento” (Mozart – Mitridate)